{"id":7699,"date":"2004-01-30T20:35:00","date_gmt":"2004-01-30T19:35:00","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=7699"},"modified":"2025-12-29T11:34:17","modified_gmt":"2025-12-29T10:34:17","slug":"abbasso-lamore","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/abbasso-lamore\/","title":{"rendered":"Abbasso l&#8217;amore"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Non c&#8217;\u00e8 niente da fare, il cinema americano \u00e8 decisamente in crisi creativa e a nulla vale mascherarsi dietro operazioni seppur simpatiche come quella di\u00a0<em>Abbasso l&#8217;amore<\/em>. Cercare, infatti, di far rivivere le atmosfere e i colori del periodo aureo della commedia pruriginosa degli anni &#8217;60, altro non \u00e8 che un vile trucco per attingere ulteriormente all&#8217;enorme bacino d&#8217;idee che \u00e8 il glorioso passato del cinema a stelle e strisce. Doris Day, Rock Hudson, Debbie Reynolds, Rod Taylor e i tanti altri interpreti del genere, vere e proprie icone del decennio e oltre (in\u00a0<em>Amore e altre catastrofi<\/em>, simpatica commediola australiana del 1997, Doris Day era l&#8217;argomento della tesi del protagonista), cercarono negli anni &#8217;60 di far dimenticare al pubblico americano il Vietnam, l&#8217;omicidio Kennedy, la segregazione razziale, il vento della contestazione. Le loro infallibili armi erano semplici e collaudate: una tensione sessuale potentissima ma mai esplicitata, le ambientazioni equamente divise tra i quieti sobborghi, tanto cari in seguito alle visioni fantastiche di Tim Burton, e la grande citt\u00e0, in cui il vizio e la tentazione erano all&#8217;ordine del giorno.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">E poi un modo garbato di far ridere, degno erede della &#8216;sophisticated&#8217; e della &#8216;slapstick comedy&#8217;, in cui anche le donne facevano disastri siderali.\u00a0<em>Abbasso l&#8217;amore<\/em>\u00a0non ha purtroppo tutti questi pregi, crogiolandosi assai nella perfetta ricostruzione iconografica e tralasciando invece tutti quegli aspetti che, sviluppati solo poco di pi\u00f9, avrebbero potuto rendere il film di Peyton Reed un piccolo gioiello come\u00a0<em>Lontano dal Paradiso<\/em>. Non \u00e8 un caso tirare in ballo un&#8217;opera cos\u00ec diversa, perch\u00e9 l&#8217;operazione concettuale \u00e8 la stessa, ma dove \u00e8 riuscito Todd Haynes, ovvero modernizzare nei contenuti un genere gi\u00e0 di per s\u00e9 formalmente perfetto e codificato, ha fallito Reed, che \u00e8 rimasto ancorato a una serie di prototipi gi\u00e0 visti. Le hostess di Catcher Block sono quelle che frequentavano la casa di Tony Curtis e Jerry Lewis in\u00a0<em>Boeing Boeing<\/em>, la casa supertecnologizzata era il nemico di Doris Day anche in\u00a0<em>La mia spia di mezzanotte<\/em>\u00a0e Rock Hudson ne\u00a0<em>Lo sport preferito dall&#8217;uomo<\/em>, regia oltretutto dell&#8217;immenso Howard Hawks, scriveva un libro mentendo spudoratamente sulla conoscenza dell&#8217;argomento. E potrei continuare a lungo. Detto ci\u00f2, non ci sono dubbi sulla bravura di tutto il cast, a partire da Ewan McGregor e Ren\u00e9e Zellweger, e fa molto piacere vedere in un cameo Tony Randall, spalla di professione ai tempi che furono e testimone di un genere che speriamo presto di potere rianalizzare con minuzia in DVD.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Alessandro De Simone<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non c&#8217;\u00e8 niente da fare, il cinema americano \u00e8 decisamente in crisi creativa e a nulla vale mascherarsi<\/p>\n","protected":false},"author":1,"featured_media":7698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[42,43],"class_list":["post-7699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti","tag-ewan-mcgregor","tag-renee-zellweger"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Abbasso l&#039;amore - Reflections<\/title>\n<meta name=\"description\" content=\"New York, 1962. 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