{"id":4937,"date":"2017-07-28T10:45:02","date_gmt":"2017-07-28T08:45:02","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=4937"},"modified":"2025-10-05T14:43:20","modified_gmt":"2025-10-05T12:43:20","slug":"venezia-74-guarda-al-futuro","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/venezia-74-guarda-al-futuro\/","title":{"rendered":"Venezia 74 guarda al futuro"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Una Mostra che racconta quello che deve ancora avvenire. E\u2019 <strong><em>Venezia 74<\/em><\/strong>, presentata dal presidente della Biennale <strong>Paolo Baratta<\/strong> e dal direttore <strong>Alberto Barbera<\/strong>. Un programma intrigante, con film che percepiscono il futuro, di <strong>Clooney<\/strong>, <strong>Aronofsky, Payne,<\/strong> <strong>Guillermo del Toro<\/strong>, il primo film internazionale di <strong>Virz\u00ec<\/strong>, il musical dei <strong>Manetti, <\/strong>le pellicole del francese <strong>Gu\u00e9diguian<\/strong>, del franco-tunisino <strong>Kechiche<\/strong>, del maestro giapponese <strong>Takeshi Kitano<\/strong>, e ancora film italiani, dei giovani <strong>Riso <\/strong>e <strong>Pallaoro<\/strong> pi\u00f9 un&#8217;altra dozzina proposti nelle varie sezioni. La pre apertura \u00e8 affidata all\u2019epico, coinvolgene <em>Dunkirk <\/em>di <strong>Christopher Nolan<\/strong> in una suggestiva proiezione all&#8217;aperto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ventuno i titoli in gara per il <em>Leone d&#8217;oro<\/em>, affidati alla giuria &nbsp;presieduta dall\u2019attrice statunitense <strong>Annette Bening<\/strong> (affiancata, tra gli altri, da <strong>Jasmine Trinca<\/strong>). Ad aprire il Concorso, <em>Downsizing<\/em> di <em>Alexander Payne<\/em> con <strong>Matt Damon<\/strong> che si fa rimpicciolire per risparmiare i consumi del pianeta. Chiude il Concorso <em>Outrage coda <\/em>del maestro giapponese Takeshi Kitano <em>.<\/em><br>Matt Damon \u00e8 anche protagonista con <strong>Julianne Moore<\/strong> della commedia nera <em>Suburbicon<\/em>, sesta regia di George Clooney<strong>,<\/strong> ambientata a fine anni Cinquanta firmata dai fratelli Coen. Ritorna a Venezia Abellatif Kechiche con l\u2019epica saga familiare <em>Mektour, My Love, canto uno<\/em>. Il messicano Guillermo del Toro porta il suo film romantico-soprannaturale ambientato nel 1963 <em>The shape of water (La forma dell&#8217;acqua)<\/em> con <strong>Sally Hawkins<\/strong> e <strong>Michael Shannon<\/strong>, e ancora, il thriller <em>Mother di <\/em>Aronofsky con <strong>Jennifer Lawrence<\/strong>; <em>Lean on pete<\/em> dell&#8217;inglese <strong>Andrew Haigh <\/strong>con <strong>Charlie Plummer<\/strong> e <strong>Steve Buscemi; <\/strong><em>L&#8217;insulte<\/em> del libanese <strong>Ziad Doueiri<\/strong> ; <em>La villa<\/em> di <strong>Robert Guediguan<\/strong> .<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Quattro i film italiani: <em>Ella &amp; John-The Leisure seeker <\/em><em>di Paolo Virz\u00ec<\/em> con <strong>Helen Mirren<\/strong> e <strong>Donald Sutherland <\/strong>in un road-movie sulle strade d&#8217;America a bordo di un camper; l\u2019allegro musical neomelodico <em>Ammore e malavita<\/em> dei Manetti Bros<strong>, <\/strong>emozionati per il loro esordio in concorso, con <strong>Giampaolo Morelli<\/strong>,<strong> Serena Rossi<\/strong>, <strong>Claudia Gerini <\/strong>e <strong>Carlo Buccirosso<\/strong>; <em>Una famiglia<\/em> di <strong>Sebastiano Riso<\/strong> con <strong>Micaela Ramazzotti<\/strong> e <strong>Patrick Bruel<\/strong>; <em>Hannah<\/em> del trentino Andrea Pallaoro con <strong>Charlotte Rampling <\/strong>e<strong> Andr\u00e9 Wilms, <\/strong><strong>che<\/strong> esplora il contemporaneo bisogno di connessione.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nel gruppone degli italiani, fuori concorso <em>Il colore nascosto delle cose<\/em> di <strong>Silvio Soldini<\/strong>, con una non vedente <strong>Valeria Golino<\/strong> e un creativo digitale <strong>Adriano Giannini<\/strong>; a Orizzonti la dark comedy <em>Brutti e cattivi<\/em> di&nbsp;Cosimo Gomez con Marco D&#8217;Amore e Claudio Santamaria. E ancora, <em>Diva!<\/em> di <strong>Francesco Patierno<\/strong>&nbsp; dedicato a Valentina Cortese; <em>Piazza Vittorio<\/em> di <strong>Abel Ferrara<\/strong>, dedicato alla famosa piazza romana e ai suoi residenti, documentari sui senzatetto di <strong>Matteo Garrone<\/strong> e <strong>Paolo Sorrentino<\/strong> mentre <strong>Gianni Amelio<\/strong> porta tra gli&nbsp; Eventi speciali il corto &nbsp;<em>Casa d&#8217;altri<\/em> sul dopo sisma di Amatrice. Non poteva mancare Netflix con le prime due puntate di <em>Suburra-La serie,<\/em> diretta da Michele Placido, Andrea Molaioli e Giuseppe Capotondi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una Mostra che racconta quello che deve ancora avvenire. E\u2019 Venezia 74, presentata dal presidente della Biennale Paolo<\/p>\n","protected":false},"author":3,"featured_media":4033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12,18],"tags":[548],"class_list":["post-4937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti","category-eventi-anteprime-festival-mostre-appuntamenti-culturali","tag-mostra-darte-cinematografica-di-venezia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Venezia 74 guarda al 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