{"id":3728,"date":"2016-03-30T16:37:27","date_gmt":"2016-03-30T14:37:27","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=3728"},"modified":"2024-10-16T14:33:02","modified_gmt":"2024-10-16T12:33:02","slug":"leliseo-rende-omaggio-a-mamet","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/leliseo-rende-omaggio-a-mamet\/","title":{"rendered":"L&#8217;Eliseo rende omaggio a Mamet"},"content":{"rendered":"<p>La drammaturgia di\u00a0<strong>David Mamet<\/strong> sar\u00e0 in scena al <strong>Teatro Eliseo<\/strong> di Roma <strong>dal 5 aprile al 30 ottobre<\/strong><em>.<\/em> Il primo spettacolo nell\u2019ambito di <em>Io Mamet e tu<\/em> , l\u2019omaggio dedicato a uno dei pi\u00f9 grandi commediografi americani dal secondo dopoguerra ad oggi \u00e8 <strong><em>China Doll<\/em><\/strong> &#8211; <strong><em>Sotto scacco<\/em><\/strong>, in scena dal 5 al 24 aprile con\u00a0<strong>Eros Pagni<\/strong> e <strong>Roberto Caccioppoli<\/strong>, regia di <strong>Alessandro\u00a0D\u2019Alatri<\/strong>, l\u2019ultima attesissima opera di Mamet, scritta per Al Pacino e appena andata in scena a Broadway.<\/p>\n<p>Due atti, due personaggi, un\u2019atmosfera da legal thriller, adrenalina e nervi tesi sono il carburante di una drammaturgia che con battute, secche, incomplete, evocative, mantiene alta la tensione. Una versione contemporanea di <em>Re Lear<\/em>, dedicata al mondo della politica e della finanza, agli intrighi, alle alleanze e alle strategie che un uomo di potere mette in atto e dalle quali rischia di rimanere schiacciato.<\/p>\n<p>In autunno, subito dopo la pausa estiva, andranno in scena contemporaneamente nelle due sale, <strong><em>Americani <\/em><\/strong>\u2013<strong><em> Glengarry Glen Ross<\/em><\/strong> con <strong>Sergio Rubini, Gian Marco Tognazzi, Francesco Montanari, Roberto Ciufoli, <\/strong><strong>Gianluca Gobbi<\/strong> (dal 27 settembre al 30 ottobre) e <strong><em>American Buffalo<\/em><\/strong> (dal 28 settembre al 23 ottobre) con <strong>Marco D\u2019Amore<\/strong> regista e interprete con <strong>Vincenzo Nemolato<\/strong> e <strong>Tonino Taiuti<\/strong>. Due storie di inganni che, a distanza rispettivamente di trenta e quarant\u2019anni, riflettono con lucidit\u00e0 i conflitti che caratterizzano la societ\u00e0 moderna.<\/p>\n<p>\u201cMamet \u00e8 come il jazz, tradurlo per me \u00e8 stato difficilissimo \u2013 spiega Luca Barbareschi, direttore artistico dell\u2019Eliseo e da sempre promotore e divulgatore in Italia del\u00a0drammaturgo statunitense -. I testi sono una serie di botta e risposta molto rapidi, puntini sospensivi e una quantit\u00e0 incredibile di pause. Ho provato con gli attori a trovare significati l\u00e0 dove sembrava esserci il vuoto. Concentrando le nostre energie sul non detto, ben presto abbiamo scoperto che il segreto della scrittura di Mamet \u00e8 in quello che non \u00e8 scritto. \u00c8 il sottotesto che deve emergere. Tra una pausa e una mezza pausa c\u2019\u00e8 tutta la sua poetica e quando le unisci alla fine diventano musica. \u00c8 come ascoltare un disco di Miles Davis\u201d.<\/p>\n<p>Con Miller, Mamet pu\u00f2 essere considerato il capostipite della drammaturgia mondiale. \u00a0Sono molti i suoi testi inediti in Italia che contengono le chiavi per leggere il nostro tempo. Le tre commedie presentate in questa prima fase del progetto sono indicative della poetica dell\u2019 autore, vincitore del <em>Premio Pulitzer<\/em> per il teatro nel 1984 per\u00a0<em>Glengarry Glen Ross<\/em>, due volte candidato all&#8217;Oscar per la sceneggiatura dei film\u00a0<em>Il verdetto<\/em>\u00a0e\u00a0<em>Sesso &amp; potere<\/em>. Mamet ha firmato anche diversi capolavori di Hollywood, tra cui\u00a0<em>Il postino suona sempre due volte<\/em>\u00a0e\u00a0<em>Gli intoccabili<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La drammaturgia di\u00a0David Mamet sar\u00e0 in scena al Teatro Eliseo di Roma dal 5 aprile al 30 ottobre.<\/p>\n","protected":false},"author":3,"featured_media":27147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[19],"tags":[599],"class_list":["post-3728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatro-spettacoli-festival-novita-dal-palcoscenico","tag-teatro-eliseo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;Eliseo rende omaggio a Mamet - Reflections<\/title>\n<meta name=\"robots\" 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