{"id":23308,"date":"2004-06-02T14:55:21","date_gmt":"2004-06-02T12:55:21","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=23308"},"modified":"2025-12-28T09:37:02","modified_gmt":"2025-12-28T08:37:02","slug":"signora","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/signora\/","title":{"rendered":"Signora"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Francesco Laudadio ama le belle donne, non per niente fu proprio lui a lanciare Monica Bellucci sul grande schermo con\u00a0<em>La riffa<\/em>, cosa per cui probabilmente non dovremmo essergli a posteriori particolarmente grati, ma d&#8217;altra parte l&#8217;arte divinatoria non \u00e8 cosa di tutti. Le analogie tra quel film e\u00a0<em>Signora<\/em>, sua ultima fatica che vede protagonista la giunonica Sonia Aquino, bellezza che pi\u00f9 mediterranea non si pu\u00f2, sono molte, soprattutto se consideriamo la vena grottesca che da sempre pervade il cinema di Laudadio. Pochi ricordano ad esempio\u00a0<em>Grog<\/em>, opera lontana nel tempo in qualche modo ispirata all&#8217;esordio di John Landis\u00a0<em>Schlock<\/em>, che metteva alla berlina il sistema dei mass media italiano con una ventina d&#8217;anni d&#8217;anticipo sulla recrudescenza dei reality show. Lo stesso\u00a0<em>La riffa<\/em>\u00a0era uno sguardo cattivo sulle malefatte e le piccolezze borghesi della ricca provincia italiana del Nord Est, dove una donna rimasta vedova metteva in palio il suo corpo per poter coprire i debiti lasciati dal marito. Anche in\u00a0<em>Signora<\/em> la protagonista, un&#8217;americana con origini italiane ed ebrea, sposata con uno dei responsabili della bonifica delle paludi pontine e innamoratasi di un aitante ingegnere delle acque (Urbano Barberini), \u00e8 pronta a sfidare il regime pur di coronare il suo sogno d&#8217;amore.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Signora<\/em>&nbsp;\u00e8 una storia d&#8217;amore, assoluta e folle, come sono in fondo tutte le belle storie d&#8217;amore. L&#8217;essere ambientata, per\u00f2, in un periodo tanto tragico per la storia d&#8217;Italia, finisce con l&#8217;essere un&#8217;arma a doppio taglio per quelle che erano le pur buone intenzioni del regista, desideroso di mettere tutto su un piano anche in questo caso ironico e grottesco, felice di far scattare la risata e di strappare il sorriso grazie a situazioni che in ben pi\u00f9 di un caso sfiorano l&#8217;assurdo. Purtroppo, pur riuscendo in alcuni casi a raggiungere questo non facile scopo, l&#8217;impressione fortissima che si ha \u00e8 quella di un film squilibrato in fase di sceneggiatura che una volta portato sullo schermo non sia riuscito a mantenere le probabili buone premesse iniziali. L&#8217;umorismo di&nbsp;<em>Signora<\/em>&nbsp;\u00e8 nella maggior parte dei casi dettato dalla banalit\u00e0 dei dialoghi e delle situazioni e a malincuore bisogna ammettere che le follie d&#8217;amore della bella Signora finiscono con l&#8217;irritare non poco, soprattutto per il finale che rischia di avvalorare la berlusconiana tesi del confino come villeggiatura per gli intellettuali di sinistra durante il regime fascista. Va bene raccontare la storia di una passione pi\u00f9 grande della follia della Storia, ma ricordiamoci che quella follia \u00e8 Storia. Sul cast poco da dire, Sonia Aquino deve essere pi\u00f9 corpo che altro e le riesce molto bene, lo stesso dicasi per Urbano Barberini, tutto il resto francamente \u00e8 noia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Alessandro De Simone<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Francesco Laudadio ama le belle donne, non per niente fu proprio lui a lanciare Monica Bellucci sul grande<\/p>\n","protected":false},"author":1,"featured_media":34521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-23308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Signora - Reflections<\/title>\n<meta name=\"description\" content=\"Nella Roma del 1933, Sarah, aristocratica americana e moglie di un facoltoso imprenditore, conosce il giovane ingegnere Guido\" 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