{"id":23138,"date":"2007-03-15T22:00:21","date_gmt":"2007-03-15T21:00:21","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=23138"},"modified":"2025-11-23T12:00:08","modified_gmt":"2025-11-23T11:00:08","slug":"proprieta-privata","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/proprieta-privata\/","title":{"rendered":"Propriet\u00e0 privata"},"content":{"rendered":"\n

Una donna, matura ma piacente, interroga lo specchio. Le sue forme si indovinano sotto la lingerie di raso leggero che ha appena indossato. Il suo corpo \u00e8 ancora gradevole, e lei \u00e8 in cerca di conferme. \u201cStai bene mamma!\u201d, commenta il ragazzo alle sue spalle, occhi compiaciuti e devoti. Lo sguardo si appunta sulle grazie materne: sedere, fianchi, seno, gambe. Ma non \u00e8 la prima impressione quella che conta. Prima che chiunque urli all\u2019incesto, nell\u2019inquadratura (rigorosamente fissa) si introduce l\u2019altro figlio di mamm\u00e0, quello pi\u00f9 spregiudicato. Il tono cambia improvvisamente, perch\u00e9, una volta al completo, la prole si lancia nella presa in giro, un duetto dissacrante ai danni della madre e delle sottane a buon mercato: \u201cTre per 50 euro? Hai speso poco per fare la puttana\u201d. Nell\u2019incipit c\u2019\u00e8 gi\u00e0 tutto il film, una storia che si snoda fotogramma per fotogramma, una perla dopo l\u2019altra sul filo del dramma domestico. Questa pellicola \u00e8 un piccolo capolavoro o un uovo di Colombo, il regista \u00e8 un genio o un furbacchione.\u00a0Joachim Lafosse<\/strong> ha riadattato una storia personale, compiendo un grande lavoro di introspezione. Il progetto \u00e8 durato sette anni e ne \u00e8 valsa la pena. Il film non fa altro che riprodurre una realt\u00e0 familiare come tante, giovandosi di un cast ad alti livelli e di una regia magistrale. Il tutto \u00e8 ben calibrato tra parole e silenzi, distruzione e autoflagellazione, coccole e sberle. C\u2019\u00e8 anche Edipo, ma per fortuna non \u00e8 un clich\u00e8. Un Edipo che pretende di disporre di Giocasta a suo piacimento. Non si tratta dell\u2019innocente abusato della Tv del dolore, ma di un bambinone troppo debole per lasciare la casa e il nutrimento materni. \u201cPropriet\u00e0 privata\u201d racconta di genitori che provvedono a tutto, salvo insegnare l\u2019autonomia, perch\u00e9 loro stessi non l\u2019hanno mai imparata. Ali deboli, radici profonde e intricate. Importante la scelta dell\u2019inquadratura, il piano sequenza fisso. Una scelta che si fa sentire soprattutto quando al trio si aggiunge il \u201cquarto incomodo\u201d, producendo una sensazione di soffocamento e mancanza di spazio vitale. Il \u201ctriangolo\u201d si regge in un equilibrio incerto, tra cordoni ombelicali mai recisi (i due ragazzi sono addirittura gemelli) e i richiami della natura (il sesso non si consuma tra consanguinei) . Lo sa il pap\u00e0 saggio e monolitico, lo sa l\u2019amante della mamma, lo sa la fidanzata del giovane Thierry.\u00a0Joachim Lafosse\u00a0<\/strong>ha avuto solo il coraggio di raccontare la verit\u00e0. Le famiglie \u201cBrambilla\u201d e affini decantate dagli spot pubblicitari forse non esistono. E il karma dei genitori-bambini non si espia facilmente…<\/p>\n\n\n\n

di Annapaola Paparo<\/p>\n","protected":false},"excerpt":{"rendered":"

Una donna, matura ma piacente, interroga lo specchio. 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