{"id":23135,"date":"2005-09-20T21:57:00","date_gmt":"2005-09-20T19:57:00","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=23135"},"modified":"2025-12-16T18:18:19","modified_gmt":"2025-12-16T17:18:19","slug":"proof","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/proof\/","title":{"rendered":"Proof"},"content":{"rendered":"\n

John Madden non \u00e8 un grande regista, non ha realizzato opere indimenticabili nella storia del cinema, eccetto quella gradevole parentesi di qualche anno fa,\u00a0Shakespeare in Love,<\/em>che valse la statuetta all’interprete femminile e una pioggia di granulosi dollaroni alla Miramax. Lo stesso poi si presentava qualche tempo pi\u00f9 tardi con una pellicola completamente falsata\u00a0Il mandolino del Capitano Corelli<\/em>\u00a0raccontando una improbabile love story fra un soldato dell’esercito italiano sbarcato in Grecia e una giovane del luogo. Dopo un periodo di silenzi dedicato ad altro, eccolo ritornare in grande spolvero sul set confermando il successo di una commedia da palcoscenico,\u00a0Proof<\/em>, scritta e ideata dal Premio Pulitzer David Auburn. Per questi e altri motivi si avverte un certo gusto misto ad entusiasmo per la sua nuova fatica trasposta dalle quinte dei teatri newyorchesi alla macchina da presa. La storia vede un difficile rapporto fra padri e figli in un contesto, la genialit\u00e0 matematica, naufragata nella follia: Sir Antony Hopkins, dopo una lunga assenza, torna a mettere i panni di un gran bel personaggio davanti (per sua stessa ammissione) ad una delle attrici migliori con il quale abbia mai lavorato, Gwyneth Paltrow. Il film si articola in due parti, la prima dedicata alla rimozione del lutto di un uomo, genitore, guida nonch\u00e9 fenomeno della societ\u00e0, e sua figlia Catherine angosciata e sconvolta dal timore di aver ereditato lo stesso gene malato; la seconda invece guarda al conflitto con l’altra primogenita Claire (donna d’affari lontana dai luoghi d’origine) tornata per il funerale del padre e disposta a portare con s\u00e9 la sorella (legatasi al musicista Hal) lontana dall’universo paranoico dentro la quale \u00e8 invischiata.<\/p>\n\n\n\n

Con un copione di fitti dialoghi cucito di tutto punto dagli sceneggiatori (Auburn – Miller) quella che doveva essere una piece da quartieri alti si trasforma in un dramma intimo e personale dove emerge tutta la bravura di una star particolarmente a suo agio nei ruoli intensi dai risvolti inaspettati (la si ricordi in quella piccola ma folgorante partecipazione a\u00a0Seven<\/em>\u00a0di David Fincher). Se da un lato\u00a0Proof<\/em>\u00a0regala un ring tutto giocato sui differenti metodi di studio fra un veterano e una grande conferma della settima arte, dall’altro offre la possibilit\u00e0 di ammirare anche una promessa come Jake Gyllenhaal (vera rivelazione di questo Festival) e una Hope Davis, gia vista in altre occasioni, ma mai cos\u00ec in parte. Il cuore del dramma si fonda sul tormento provato dalla povera e instabile donna troppo a contatto con le bizze e le stramberie del bisbetico capofamiglia autore di uno dei teoremi pi\u00f9 rivoluzionari di tutti i tempi. La nuova Grace Kelly forse avrebbe meritato di pi\u00f9 ma, si sa, in laguna i prodotti americani non sono visti di buon occhio dalla critica bench\u00e9 gran parte del pubblico li apprezzi; Venezia 62 ha proposto una serie di meritevoli episodi di buon cinema e il trionfo di George Clooney \u00e8 l’esempio che negli States non si realizzano solo blockbuster da sicuri incassi al botteghino.<\/p>\n\n\n\n

di Ilario Pieri<\/p>\n","protected":false},"excerpt":{"rendered":"

John Madden non \u00e8 un grande regista, non ha realizzato opere indimenticabili nella storia del cinema, eccetto quella<\/p>\n","protected":false},"author":1,"featured_media":23134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-23135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"\nProof - Reflections<\/title>\n<meta name=\"description\" content=\"In seguito alla morte di suo padre, un famoso matematico, Catherine affronta le conseguenze della perdita e i problemi con la depressione\" 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