{"id":23051,"date":"2004-05-07T16:56:41","date_gmt":"2004-05-07T14:56:41","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=23051"},"modified":"2025-12-28T18:39:40","modified_gmt":"2025-12-28T17:39:40","slug":"party-monster","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/party-monster\/","title":{"rendered":"Party Monster"},"content":{"rendered":"\n

Macaulay Culkin<\/strong> \u00e8 risultato simpatico davvero in pochi film della sua prima carriera, quella per intenderci di quando non raggiungeva il metro e mezzo. Pap\u00e0 ho trovato un amico<\/em> era uno di questi, l’altro certamente L’innocenza del Diavolo<\/em>. In entrambi moriva\u2026 In Party Monster<\/em> non muore e proprio per questa ragione riesce a risultare pi\u00f9 antipatico che mai, visti anche i panni eccentrici che veste, quelli del guru del divertimento newyorkese degli anni Novanta Michael Alig (bisognerebbe chiedere a Sacha Baron Cohen<\/strong> se Ali G \u00e8 in qualche modo ispirato al personaggio reale). Alig cre\u00f2 il tunnel da cui \u00e8 molto contento di essere uscito Caparezza<\/strong>, un transgender, dopante al ritmo della prima ‘Tunz Tunz’ post londinese, in cui l’immagine era tutto e la cocaina non si sniffava pi\u00f9 con la stessa frequenza degli anni Ottanta: in fondo anche l’eroina \u00e8 polvere! L’ecstasy prendeva piede e le distinzioni sessuali erano stupide barriere borghesi (come si suole dire: in tempo di guerra ogni buco \u00e8 una trincea) e, in questo proliferare di sgargianti novit\u00e0, Michael Alig aveva capito che per essere qualcuno bisognava essere chiunque, tranne che se stessi. <\/p>\n\n\n\n

Party Monster<\/em> racconta questo, la triste storia di un ragazzino dimenticato a casa dalla famiglia il giorno della partenza per le vacanza e lasciato cos\u00ec libero di fare tutto quello che vuole. Alig fece del Limelight, chiesa sconsacrata nel centro di New York trasformata in night club alla moda, il tempio della trasgressione americana, un’epidemia che avrebbe poi colpito anche il Vecchio Continente nella sua forma pi\u00f9 naturale, il franchising (il Limelight apr\u00ec anche a Londra, all’angolo tra Charing Cross e Tottenham Court: un bel posticino dove si facevano conoscenze interessanti), ma grazie alla maggiore sicurezza culturale dei nostri giovani fu un movimento debitamente addomesticato. Una personalit\u00e0 incompleta quella di Alig, quindi, capace di sublimare le sue mancanze grazie a trastulli come il sesso, con uomini o donne non importa, droga, abiti costosi e trasgressioni di vario genere. <\/p>\n\n\n\n

A vederle oggi, a soli dieci anni di distanza, ci verrebbe spontaneo un sorriso, visto quello a cui siamo stati abituati dal bombardamento mediatico. Ma se oggi esiste un Grande Fratello<\/em>, una Fattoria<\/em>, un’Isola dei Famosi<\/em> e un’altra serie di scemenze del genere, lo dobbiamo anche a personaggi come Michael Alig, capaci di amplificare il pericoloso concetto Warholiano del successo e della celebrit\u00e0 dai misurati quindici minuti del canuto artista a un tempo variabile a seconda del livello di annoiamento dell’audience. La festa dei mostri \u00e8 cominciata e non \u00e8 mai finita, i mostri sono quelli che decidono gli eliminati tra i nominati, come il popolo chiedeva all’Imperatore la vita del gladiatore nell’arena. Party Monster<\/em> non \u00e8 un film memorabile, n\u00e9 lo \u00e8 l’interpretazione di Macaulay Culkin<\/strong> (al contrario \u00e8 davvero notevole Seth Green<\/strong> nei panni di James St. James<\/strong>, autore del romanzo da cui \u00e8 tratto il film), ma lascia pervasi da un profondo senso di inadeguatezza. Ma se uscite di casa e vi annoiate\u2026 fidatevi: dovete esserne molto contenti.<\/p>\n\n\n\n

di Alessandro De Simone<\/p>\n","protected":false},"excerpt":{"rendered":"

Macaulay Culkin \u00e8 risultato simpatico davvero in pochi film della sua prima carriera, quella per intenderci di quando<\/p>\n","protected":false},"author":1,"featured_media":23050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[157,159,158],"class_list":["post-23051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti","tag-macaulay-culkin","tag-michael-alig","tag-party-monster"],"yoast_head":"\nParty Monster - Reflections<\/title>\n<meta name=\"description\" content=\"Ascesa e la caduta di Michael Alig (interpretato da Macaulay 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