{"id":22818,"date":"2005-04-23T15:00:00","date_gmt":"2005-04-23T13:00:00","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=22818"},"modified":"2025-12-23T09:59:06","modified_gmt":"2025-12-23T08:59:06","slug":"taxi-lovers","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/taxi-lovers\/","title":{"rendered":"Taxi Lovers"},"content":{"rendered":"\n

Trovarsi sempre nel posto sbagliato al momento sbagliato. Per\u00f2 se alla fine per premio c’\u00e8 un viaggio di sola andata per un fazzoletto verde nel mare greco, qualcuno potrebbe pensarci. Ma il protagonista di\u00a0Taxi Lovers<\/em>\u00a0di Luigi Di Fiore cosa lo aspetta lo scopre solo strada facendo e, nonostante ci\u00f2, sta al gioco. Nel nero girotondo in cui lo trascina una ex prostituta che tenta di cambiare vita, si trova coinvolto in un omicidio che non ha commesso, sulla scia di un tesoro (un codice) che fa gola a molti, coinvolge il depresso giovane, un tassista di passaggio che da lei resta folgorato, rischia, e pi\u00f9 volte, la vita e, infine, vince la partita alla grande, mentre a restare esterrefatto \u00e8 solo il povero spettatore. Lui \u00e8 Edoardo Leo che il cinema (e il teatro) lo ha frequentato ma che dalla tv ha avuto quasi tutto; lei \u00e8 la Elisabetta Cavallotti che, dopo l’esperienza di\u00a0Guardami<\/em>, sembra sguazzare in questi ruoli di (presunta) bella facile e dannata. Lei \u00e8 una quasi veterana che ha sempre amato zigzagare tra cinema sperimentale e cinema di genere e che ammette: \u00abQuesto \u00e8 stato davvero il set pi\u00f9 sperimentale che mi sia mai capitato, perch\u00e9 si \u00e8 trattato di un continuo mettersi in gioco, di un rischiare giorno per giorno e, poi, ormai con Edoardo \u00e8 la terza volta che ci troviamo insieme e mi sembra di formare una coppia perfetta\u00bb. Lui \u00e8 un giovane (ma solo anagraficamente) di belle intenzioni che vuole gridare il suo orgoglio, qui e ora: \u00abIn fondo ciascuno di noi lavora, tra fiction e altro se la cava, potevamo restare a casa nostra. E invece abbiamo voluto farlo, questo film anomalo, farlo a tutti i costi, perch\u00e9 il cinema italiano ne ha bisogno, si vedono sempre gli stessi film e le stesse facce\u00bb.<\/p>\n\n\n\n

\u00abNoi volevamo invece lanciare un sasso, lanciare un grido perch\u00e9 c’\u00e8 in Italia una dittatura distributiva che fa morire il nostro cinema, mentre almeno negli anni Settanta per quei film di genere, magari imperfetti, c’era comunque qualcuno che rischiava i soldi di tasca propria\u00bb. E per capire quello che vuole dire dobbiamo cominciare da una squadra di calcio di beneficenza. Un pugno di amici che hanno messo insieme 486mila euro e un film che \u00e8 nato autotassandosi di 5mila euro ciascuno (suddividendo il film in quote), autoproducendosi (\u00abperch\u00e9 entrare nel giro delle grosse produzioni oggi \u00e8 troppo arduo\u00bb), autodistribuendosi, piano piano, oggi una citt\u00e0, domani un’altra, con tanto di accompagnamento fisico di tutta la troupe e un fiume di pubblicit\u00e0 e di promozione. Dall’esterno, nel senso che nel film compare solo fuggevolmente, accanto a una piccola frotta di attori, da Alberto Di Stasio a Sergio Fiorentini, da Valentina Chico a Paolo Gasparini, appoggia e benedice Ettore Bassi, uno dei veri giovane principi della fiction: \u00abCi\u00f2 che conta \u00e8 l’operazione, non solo il film, il tentativo, la battaglia, il significato dell’operazione ed io ho voluto esserci anche solo per dare un piccolo contributo, anche solo per romanticismo\u00bb. E, allora, non \u00e8 che un debutto. O cos\u00ec giurano Massimiliano Caroletti e Alberto Rossi, produttori della neonata Quadrifoglio: tra non molto questa, che \u00e8 ormai una cooperativa, sparer\u00e0 un’altra cartuccia, stavolta in veste di commedia e, beninteso, ancora con attori e tecnici che si autotassano. Con Sergio Martino che dirige e Tony Renis che canta.<\/p>\n\n\n\n

di Silvia Di Paola<\/p>\n","protected":false},"excerpt":{"rendered":"

Trovarsi sempre nel posto sbagliato al momento sbagliato. Per\u00f2 se alla fine per premio c’\u00e8 un viaggio di<\/p>\n","protected":false},"author":1,"featured_media":22817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-22818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"\nTaxi Lovers - Reflections<\/title>\n<meta name=\"description\" content=\"Massimo, un tassista romano, rimane coinvolto in pericolosi giri quando prende a bordo Giovanna, figlia di un importante mafioso\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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