{"id":22476,"date":"2007-05-11T22:07:03","date_gmt":"2007-05-11T20:07:03","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=22476"},"modified":"2025-11-23T11:48:41","modified_gmt":"2025-11-23T10:48:41","slug":"le-verita-negate","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/le-verita-negate\/","title":{"rendered":"Le verit\u00e0 negate"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">All&#8217;inizio c&#8217;\u00e8 un sospetto alimentato da una atmosfera vagamente hitchockiana, ma tutto si dissolve velocemente all&#8217;interno di una sceneggiatura che, pur applicando scolasticamente le regole del thriller, non riesce a sostenere fino in fondo il principio fondamentale della suspense. Scritto e diretto dall&#8217;australiana\u00a0<strong>Ann Turner<\/strong>,<em>\u00a0Le verit\u00e0 negate<\/em>\u00a0avrebbe rappresentato potenzialmente il modello classico di una mystery story ben riuscita se la regista non avesse compiuto delle leggerezze in fase di scrittura. Volendo giocare con i moduli del thriller e del dramma psicologico, la\u00a0<strong>Turner<\/strong>\u00a0non \u00e8 riuscita a gestire con armonia i due elementi. Il risultato \u00e8 un mistero che perde immediatamente appeal ed una evoluzione intimista poco approfondita. La sensazione \u00e8 quella di assistere ad un percorso narrativo e visivo particolarmente scomposto ed indeciso, all&#8217;interno del quale appare evidente una certa confusione di base proprio in fase di scrittura. Una percezione questa che accompagna l&#8217;intera orgnizzazione e definizione del film. Se \u00e8 possibile apprezzare una messa in scena che ci proietta immediatamente all&#8217;interno di un ambiente sempre pi\u00f9 minaccioso, la fotografia patinata e la scenografia elegante appaiano del tutto accessorie di fronte alla disattesa presenza di un brivido. A peggiorare la sensazione anche un&#8217; evidente difficolt\u00e0 nel gestire e suddividere la storia lungo l&#8217;intera durata temporale del film. Tutto accade troppo velocemente e troppo presto. Gli avvenimenti essenziali si accavallano durante le battute iniziali della vicenda, per poi vanificarsi, perdersi in un nulla narrativo che accompagna fino ai titoli di coda. A tratti ingenuo e troppo denso di spiegazioni, il film deborda verso un appiattimento emotivo, ed una deducibilit\u00e0 imperdonabile per un thriller psicologico. A peggiorare la situazione una regia tradizionale che , priva di sorprese e votata alla staticit\u00e0, non contribuisce certo a distogliere lo sguardo da alcuni passi falsi drammaturgici pericolosamente vicini al comune senso del ridicolo. In definitiva\u00a0<strong>Ann Turner<\/strong>, presa dall&#8217;ansia di stupire a tutti i costi, promette molto e mantiene decisamente poco. Risolleva in parte le sorti del film un cast di particolare qualit\u00e0 formato dal premio Oscar\u00a0<strong>Susan Sarandon<\/strong>,\u00a0<strong>Sam Neill\u00a0<\/strong>ed il talento emergente\u00a0<strong>Emily Blunt<\/strong>(\u00a0<em>Il diavolo veste Prada<\/em>). In modo particolare, in questa vicenda declinata fortemente al femminile, trovano risalto i ruoli delle due antagoniste. Pur se il confronto della donna matura con la contendente pi\u00f9 giovane fa parte di un clich\u00e8 narrativo che Hollywood ha ampiamente sfruttato da<em>\u00a0Eva contro Eva\u00a0<\/em>(<em>\u00a0Joseph L. Mankiewicz\u00a0<\/em>1950), il faccia a faccia tra la\u00a0<strong>Sarandon\u00a0<\/strong>e la\u00a0<strong>Blunt<\/strong>\u00a0non conduce verso alcun deja vu cinematografico. Merito probabilmente dell&#8217;intervento attivo della stessa\u00a0<strong>Sarandon<\/strong>\u00a0nella costruzione del suo personaggio, capace di vivere grazie a diverse sfumature tra l&#8217;esser vittima e carnefice allo stesso tempo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Tiziana Morganti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All&#8217;inizio c&#8217;\u00e8 un sospetto alimentato da una atmosfera vagamente hitchockiana, ma tutto si dissolve velocemente all&#8217;interno di una<\/p>\n","protected":false},"author":1,"featured_media":22475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-22476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le verit\u00e0 negate - Reflections<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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