{"id":22361,"date":"2007-01-16T20:30:06","date_gmt":"2007-01-16T19:30:06","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=22361"},"modified":"2025-12-08T12:11:09","modified_gmt":"2025-12-08T11:11:09","slug":"larte-del-sogno","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/larte-del-sogno\/","title":{"rendered":"L&#8217;arte del sogno"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Secondo\u00a0<strong>Schopenauer<\/strong>\u00a0&#8220;La vita e i sogni sono i fogli di uno stesso libro. Leggerli in ordine \u00e8 vivere, sfogliarli a caso \u00e8 sognare.&#8221; Per\u00a0<strong>Michel Gondry<\/strong>\u00a0invece i sogni sono soprattutto le evoluzioni di una mente immacolata e creativa, capace di intervallare e sovrapporre il ritmo regolare o casuale di questa lettura. Dopo la parentesi americana, il regista di\u00a0<em>Eternal Sunshine<\/em>\u00a0torna in Francia per dare vita al suo film pi\u00f9 autobiografico. Libero dalle costrizioni e dalle scelte stilistiche di un partner d&#8217;eccezione come\u00a0<strong>Charlie Kaufman<\/strong>\u00a0(\u00a0<em>Il ladro d&#8217;orchidee<\/em>, 2003),\u00a0<strong>Gondry<\/strong>\u00a0dimostra di saper gestire un film in tutte le sue fasi evolutive, imponendo uno stile personale e onestamente onirico capace di collocare la sua storia al di fuori di qualsiasi genere o cifra stilistica. Se con\u00a0<em>Eternal Sunshine<\/em>\u00a0aveva sfiorato atmosfere surreali, per realizzare\u00a0<em>L&#8217;arte del sogno\u00a0<\/em>si getta in esse senza alcun risparmio attingendo a piene mani dal un personale archivio. Utilizzando il suo alter ego\u00a0<strong>Gael Garc\u00eca Bernal<\/strong>(St\u00e9phane),\u00a0<strong>Gondry<\/strong>\u00a0costruisce con una attenzione ed una cura artigianale un universo che vive e trova sfogo solo attraverso una continua osmosi tra realt\u00e0 ed irrealt\u00e0, mentre grazie all&#8217;eterea figura di\u00a0<strong>Charlotte Gainsbourg<\/strong>\u00a0( St\u00e9phanie) prendono vita delle favole realizzate con ago e filo. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La materia dei sogni \u00e8 sempre stata una grande fonte d&#8217;ispirazione per l&#8217;attivit\u00e0 cinematografica. Da\u00a0<em>Vanilla Sky<\/em>\u00a0(2001),\u00a0<em>Eyes Wide Shut<\/em>\u00a0(1999) a\u00a0<em>Mulholland Drive<\/em>\u00a0(2001) il gioco sogno\/realt\u00e0 ha rappresentato il fulcro intorno al quale si sono totalmente sviluppate le vicende. Eppure, nonostante\u00a0<strong>David Lynch<\/strong> possa essere considerato come uno dei registi pi\u00f9 visionari,\u00a0<strong>Gondry<\/strong> affronta la materia con una freschezza ed un&#8217; innocenza assolutamente nuova per le strutture narrative conosciute fino a questo momento. Nella confusa vita di St\u00e9phane, diviso tra l&#8217;amore per St\u00e9phanie ed il terrore di non essere ricambiato, il sogno non raggiunge mai stati di oscura espressione delle proprie paure, nonostante in ballo ci sia anche l&#8217;aspetto distruttivo di una mente creativa. In\u00a0<strong>Gondry<\/strong>\u00a0l&#8217;incubo diventa terreno di gioco, dimostrazione delle proprie insicurezze attraverso un mondo fatto di cartone e pannolence cucito grossolanamente che tanto ricorda alcune animazioni russe. Per quanto riguarda il resto, tutto ci conduce verso immagini che mostrano le modalit\u00e0 di una mente che edifica fantasie. In questo caso il sogno \u00e8 soprattutto un luogo dove correre a rifugiarsi. Un posto da dove osservare il mondo cos\u00ec come vorremmo che fosse. Una stanza dei giochi dove \u00e8 possibile ridisegnare una realt\u00e0 che confonde a seconda delle proprie necessit\u00e0. Un sogno dal fascino rassicurante ma dalla vincolante attrattiva. Unica fonte d&#8217;inquietudine \u00e8 la consapevolezza che il mondo onirico troppo spesso si sovrappone a quello reale, distorcendo la percezione della realt\u00e0 e viziando la capacit\u00e0 d&#8217;azione.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Tiziana Morganti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Secondo\u00a0Schopenauer\u00a0&#8220;La vita e i sogni sono i fogli di uno stesso libro. Leggerli in ordine \u00e8 vivere, sfogliarli<\/p>\n","protected":false},"author":1,"featured_media":22360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-22361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;arte del sogno - Reflections<\/title>\n<meta name=\"description\" content=\"Un giovane timido e fantasioso confonde sogno e realt\u00e0, e s&#039;innamora 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