{"id":22204,"date":"2003-12-22T16:23:42","date_gmt":"2003-12-22T15:23:42","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=22204"},"modified":"2025-12-29T17:08:43","modified_gmt":"2025-12-29T16:08:43","slug":"kitchen-stories","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/kitchen-stories\/","title":{"rendered":"Kitchen Stories"},"content":{"rendered":"\n

“Anzich\u00e8 camminare l’equivalente di un viaggio dalla Svezia al Congo per portare cibo in tavola le casalinghe svedesi potranno camminare solo la distanza di un viaggio in Italia.” Questo era ci\u00f2 che recitava una pubblicit\u00e0 svedese degli anni ’50 sulla cucina ideale e questo \u00e8 il particolarissimo punto di partenza, la scintilla creatrice della quale Bent Hamer si \u00e8 servito per realizzare la sceneggiatura di\u00a0Kitchen Stories<\/em>, suo terzo lungometraggio candidato all’Oscar 2004 come Miglior Film Straniero. Certo \u00e8 che, trascorsi i primi fotogrammi all’interno dei quali \u00e8 possibile ammirare massaie concentrate nello svolgimento di quotidiane attivit\u00e0 coadiuvate da maschere ad ossigeno ed osservate da studiosi posti su dei curiosi trespoli\/seggioloni, si ha la certezza di trovarsi di fronte ad un film pronto a servirsi di un’evidente ironia pur di descrivere situazioni ed immagini paradossali. Una convinzione per\u00f2 che, con il graduale mutamento della prospettiva e dell’ambientazione narrativa, si dissolve identificando lo spazio emozionale come unico protagonista. Con\u00a0Kitchen Stories<\/em>\u00a0Bent Hamer dimostra come sia possibile scovare e carpire delle storie dall’accattivante semplicit\u00e0 nei luoghi pi\u00f9 impensati, ricostruendo l’emozione l\u00e0 dove la freddezza e la razionalit\u00e0 dello studio statistico impone la sua rigidit\u00e0. Come non sia impensabile gestire e realizzare una vicenda nella sua completezza espressiva utilizzando pochi ed essenziali elementi non solo scenografici ma, soprattutto umani. Due uomini, una cucina e la loro necessit\u00e0 espressiva. Questo l’essenziale corredo di cui il regista norvegese si \u00e8 servito per rappresentare le complicate dinamiche di due solitudini che si osservano sospettose e che si fondono, involontariamente ed inevitabilmente, spinte dalla naturale necessit\u00e0 di comunicare il loro rifiuto ad essere catalogate ed incanalate all’interno di una precisa classificazione. “Un film toccante, intelligente e dai molti livelli di lettura, magificamente costruito, abilmente sceneggiato e recitato.” Ecco le motivazioni addotte dalla giuria per l’assegnazione del premio Fipresci 2003. Ma soprattutto un film che non mostra lontanamente la volont\u00e0 di stupire e di sedurre con innovazioni registiche n\u00e8 con un facile patetismo, ma che lascia alla narrazione la libert\u00e0 di percorrere una naturale corrente, servendosi di un humor da introdurre con raffinata delicatezza all’interno di una favola dagli evidenti chiaroscuri emozionali.<\/p>\n\n\n\n

di Tiziana Morganti<\/p>\n","protected":false},"excerpt":{"rendered":"

“Anzich\u00e8 camminare l’equivalente di un viaggio dalla Svezia al Congo per portare cibo in tavola le casalinghe svedesi<\/p>\n","protected":false},"author":1,"featured_media":22203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-22204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"\nKitchen Stories - Reflections<\/title>\n<meta name=\"description\" content=\"Kolke, uno studioso di indagine sociologica, segue la vita domestica di Isak, senza interferire, ma \u00e8 impossibile capirsi senza 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