{"id":22043,"date":"2005-03-06T20:40:52","date_gmt":"2005-03-06T19:40:52","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=22043"},"modified":"2025-12-24T17:42:36","modified_gmt":"2025-12-24T16:42:36","slug":"il-resto-di-niente","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/il-resto-di-niente\/","title":{"rendered":"Il resto di niente"},"content":{"rendered":"\n

Un po’ il culto che aleggia sul romanzo di Enzo Striano da cui \u00e8 tratto il lungometraggio della De Lillo presentato a Venezia 61 come evento speciale, un po’ perch\u00e9 la rivoluzione napoletana del 1799 vista attraverso lo sguardo di Eleonora Pimentel Fonseca ha sempre affascinato intellettuali partenopei raffinatissimi e non solo (tra i pi\u00f9 illustri \u00e8 doveroso citare Benedetto Croce), sta di fatto che sembra ingeneroso parlare male di un film stilisticamente importante e con attori eccellenti come\u00a0Il resto di niente<\/em>\u00a0di Antonietta De Lillo. Ma, a dirla tutta, per alcuni stacanovisti del Lido, per stupidit\u00e0 e stanchezza, questa opera messa in sala nell’ultimo giorno utile della Mostra fu vissuta come terribile “botta di sonno”. A mente pi\u00f9 lucida, l’impianto teatrale e l’interpretazione da fantasma “consapevole” di Eleonora della portoghese Maria de Medeiros suona pi\u00f9 come uno scandaglio dell’anima storica di questo paese che come acritica santificazione del personaggio.<\/p>\n\n\n\n

Le vicende della gentildonna di grande intelligenza e vasta cultura, fine poetessa, che partecip\u00f2 alla rivoluzione napoletana antiborbonica del 1799, salendo sul patibolo insieme ad altri rivoluzionari giacobini e che scrisse accesi articoli in cui sferzava violentemente i borbonici sul giornale rivoluzionario repubblicano il “Monitore Napoletano” con una vita sentimentale turbolenta e libera, sono deliberatamente sottotono, quasi che la De Lillo avesse paura di confezionare una simil fiction per esegeti (evidentemente la “Luisa Sanfelice” dei fratelli Taviani in televisione, ha spaventato invece che suggerire vie di fuga) per trincerarsi dietro un’eleganza e una ricercatezza per lo meno algide. La Pimentel viaggia tra fantasmi in un flusso di ricordi che spezzano elementari passaggi logici e per poco non si cade nel clich\u00e9 di una bianchissima e pallida profetessa che parla dal Settecento per scovare i nostri malanni attuali. E sono proprio queste derive messianiche e didascaliche che appesantiscono il film. Si fa fatica a seguire i discorsi con il defunto Gaetano Filangieri e ad un certo punto le evocazioni spettrali sembrano un escamotage per differire l’appuntamento con il patibolo. E, dunque, o c’\u00e8 empatia o letargia.<\/p>\n\n\n\n

di Vincenzo Mazzaccaro<\/p>\n","protected":false},"excerpt":{"rendered":"

Un po’ il culto che aleggia sul romanzo di Enzo Striano da cui \u00e8 tratto il lungometraggio della<\/p>\n","protected":false},"author":1,"featured_media":22042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-22043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"\nIl resto di niente - Reflections<\/title>\n<meta name=\"description\" content=\"La vita di Eleonora Pimentel de Fonseca, poetessa e patriota portoghese, sullo sfondo della Rivoluzione Napoletana del 1799\" \/>\n<meta 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