{"id":21959,"date":"2007-03-20T20:52:39","date_gmt":"2007-03-20T19:52:39","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=21959"},"modified":"2025-11-23T11:59:44","modified_gmt":"2025-11-23T10:59:44","slug":"hollywoodland","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/hollywoodland\/","title":{"rendered":"Hollywoodland"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La stampa americana lo aveva annunciato come il film capace di scuotere nel profondo il potente ed indiscusso processo produttivo hollywoodiano, avvalendosi addirittura il merito di raccontarci tutta la verit\u00e0 sulla rutilante e discussa citt\u00e0 del cinema. Eppure\u00a0<em>Hollywoodland<\/em>\u00a0delude amaramente offrendoci l&#8217;illusione di una verit\u00e0 barattata con una serie di moralismi coniugati in perfetto stile old america. Ispiratosi alla vita e alla misteriosa morte di<strong>\u00a0George Reeves<\/strong>, divenuto famoso per aver interpretato dal 1951 la serie televisiva\u00a0<em>Adventures of Superman<\/em>\u00a0e trovato morto otto anni dopo nella sua camera da letto in seguito ad un colpo di arma da fuoco,\u00a0<strong>Allen Coulter<\/strong>\u00a0perde l&#8217;occasione per un buon esordio, abbandonando la strada narrativa dell&#8217;indagine per rifilarci una lezioncina poco originale sui pericoli e le insidie della fama. Posto che qualcuno possa credere ancora nella perfetta ed intatta cornice dello star system, ricorrere ad una &#8220;antica&#8221; vicenda per narrare un&#8217;odissea umana vissuta nell&#8217;anelante desiderio di raggiungere una notoriet\u00e0 sfuggente ed effimera poteva ancora trovare una causale stilistica e narrativa, ma questa non \u00e8 mai stata l&#8217;intenzione originaria. Nonostante la volont\u00e0 di creare un mondo parallelo che gravita attorno alla frizzante esteriorit\u00e0 del cinema, e che da questa viene influenzato e spesso annientato, \u00e8 evidente la non volont\u00e0 di affrontare con perizia un discorso pi\u00f9 particolareggiato e intellettualmente malizioso.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Coulter<\/strong>\u00a0ci inganna amabilmente attraverso una comunque splendida interpretazione di\u00a0<strong>Adrien Brody<\/strong>, capace con la sua unica presenza scenica di rende accettabile l&#8217;80% del film e, probabilmente, con la parte pi\u00f9 consona mai offerta fino a questo momento a<strong>\u00a0Ben Affleck<\/strong>( per l&#8217;occasione visibilmente appesantito e con la sua oramai riconoscibile monoespressivit\u00e0). La sensazione \u00e8 che gli americani sembrano aver preso gusto a mettere in piazza &#8220;gli affari di famiglia&#8221;, come a dimostrare la loro levatura morale nell&#8217; ammettere i lati oscuri di una societ\u00e0 che in fin dei conti difendono a spada tratta oggi pi\u00f9 che mai. Ma anche se animati dalle migliori intenzioni, questo film dimostra come non sia assolutamente sufficiente spolverare un caso del passato, cercare di assumere un tono ed un punto di visto fintamente analitico e critico per ottenere successo ed approvazione. Perch\u00e8 questo accada non si pu\u00f2 fare affidamento solo sulla volitiva mascella del bello di turno, ma occorre munirsi di un linguaggio onestamente coraggioso per raccontare la verit\u00e0 per come \u00e8 stata mostrata e per come potrebbe esser stata celata. Basta fare un tour tra i falsi miti che Hollywood ha costruito per comprendere fin dall&#8217;inizio il destino a cui sembravano esser votati, il pi\u00f9 delle volte in modo assolutamente consapevole. In ultima analisi, non si sentiva veramente la mancanza di un film che si assumesse il compito di rinverdire l&#8217;eterno e ben noto refrain, &#8220;Non \u00e8 tutto oro ci\u00f2 che riluce&#8221;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Tiziana Morganti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La stampa americana lo aveva annunciato come il film capace di scuotere nel profondo il potente ed indiscusso<\/p>\n","protected":false},"author":1,"featured_media":21958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-21959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hollywoodland - Reflections<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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