{"id":21584,"date":"2006-11-30T21:04:09","date_gmt":"2006-11-30T20:04:09","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=21584"},"modified":"2025-12-11T18:35:27","modified_gmt":"2025-12-11T17:35:27","slug":"cuori","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/cuori\/","title":{"rendered":"Cuori"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Sei personaggi in cerca d\u2019amore e calore immersi in una Parigi raffreddata da una neve costante, che attutisce sentimenti e dolori senza cancellare le tracce di un&#8217; evidente ed inevitabile solitudine. Tratto da un testo teatrale di\u00a0<strong>Alan Ayckbourn<\/strong>, presentato inizialmente con il titolo internazionale\u00a0<em>Private Fears in Public Place<\/em>e poi trasformato dopo vari tentativi nel pi\u00f9 essenziale\u00a0<em>Coeurs<\/em>, il film di\u00a0<strong>Resnais<\/strong>\u00a0( Leone d\u2019Oro nel 1961 con\u00a0<em>L\u2019anno scorso a Marienbad<\/em>) si concentra sulla costante determinazione espressa dagli uomini nel liberarsi di un senso di solitudine irreversibile, senza alcuna speranza di cure. Ambientato nel quartiere di Bercy tra la Senna e l\u2019Avenue de France, il film \u00e8 girato e circoscritto interamente all\u2019interno d&#8217;appartamenti, spesso ripresi dall\u2019alto come se fosse un palcoscenico a cielo aperto, ma comunque volti a rappresentare ambienti claustrofobici all\u2019interno dei quali nascondersi e dai quali fuggire allo stesso tempo. Tra la sua usuale famiglia cinematografica composta da\u00a0<strong>Lambert Wilson<\/strong>,<strong>\u00a0Pierre Arditi<\/strong>,<strong>\u00a0Andr\u00e8 Dussollier<\/strong>\u00a0e\u00a0<strong>Sabine Az\u00e9ma<\/strong>,\u00a0<strong>Alain Resnais<\/strong>introduce il nuovo elemento\u00a0<strong>Laura Morante<\/strong>. L\u2019alchimia funziona perfettamente senza perdere l\u2019armonia dell\u2019insieme, fondamentale per un film che basa fondamenta e forza emotiva proprio su di un sentimento espresso coralmente. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pesci in un acquari o piccoli esseri sottoposti ad un esperimento sociologico, i personaggi di\u00a0<strong>Resnais<\/strong>vivono all\u2019interno di una teca di cristallo sotto un&#8217; attenta osservazione come per scoprire il germe stesso della solitudine. I loro movimenti sono misurati ma non fissi. Evidente la derivazione teatrale da cui\u00a0<strong>Resnais<\/strong>\u00a0non tenta minimamente di sfuggire ma che, se possibile, esalta ed asseconda dolcemente come la pi\u00f9 naturale delle scelte. Nell\u2019opera originale di\u00a0<strong>Ayckbourn<\/strong>\u00a0c\u2019\u00e8 un aspetto fosco a cui il regista francese non intende rinunciare, ma tenta di riprodurre a tutti i costi sullo schermo attraverso la costruzione di un tessuto di contraddizioni e pulsioni fluttuanti che si agitano nell\u2019animo umano. Attraverso la valorizzazione delle immagini e della recitazione dei personaggi che potenzialmente potrebbero esprimere qualche cosa di meglio, ma non vogliono o non possono farlo, si cerca di catturare proprio l\u2019idea di una nostalgia del fare meglio che li conduce all\u2019immobilit\u00e0 o al tentare guarigioni insperate. Il loro destino, le loro vite sono sempre guidate, fino anche a dipendere da persone che non hanno mai incontrato. Attraverso dei dialoghi perfettamente inseriti nella sottile malinconia che determina il tono di questa tragi-commedia ,\u00a0<strong>Alain Resnais<\/strong>, come un antico e capace artigiano, continua a cesellare, rifinire e raffinare alla ricerca di una perfezione narrativa coniugata ad una profondit\u00e0 dei sentimenti, quasi senza rendersi conto di aver raggiunto il suo scopo attraverso la pulita e minimalista forma delle immagini.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Tiziana Morganti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sei personaggi in cerca d\u2019amore e calore immersi in una Parigi raffreddata da una neve costante, che attutisce<\/p>\n","protected":false},"author":1,"featured_media":21583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-21584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cuori - Reflections<\/title>\n<meta name=\"description\" content=\"Sei personaggi in cerca d\u2019amore e calore immersi in una Parigi raffreddata da una neve costante, che attutisce sentimenti e 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