{"id":10123,"date":"2005-01-28T17:14:42","date_gmt":"2005-01-28T16:14:42","guid":{"rendered":"http:\/\/www.reflections.it\/wordpress\/?p=10123"},"modified":"2025-11-23T15:24:45","modified_gmt":"2025-11-23T14:24:45","slug":"quando-meno-te-lo-aspetti","status":"publish","type":"post","link":"https:\/\/www.reflections.it\/wordpress\/quando-meno-te-lo-aspetti\/","title":{"rendered":"Quando meno te lo aspetti"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Non si comprende quale scelta sia stata pi\u00f9 azzardata nel realizzare questo film, se quella di dare in affidamento tre orfani alla bionda in carriera Helen Harris (Kate Hudson) o Garry Marshall come regista. Il re delle sit-com anni &#8217;70, ritenuto uno tra i maggiori specialisti di disneiane favole moderne a tinte rosa, ha qui la pretesa di spingersi in quella &#8220;no man&#8217;s land&#8221; tra la commedia e il dramma, toccando con pretesa leggerezza temi come famiglia, responsabilit\u00e0 e crisi adolescenziali, tutto in un unico traboccante calderone gestito da una Kate Hudson un po&#8217; fuori luogo. Prendete la Andie Anderson di&nbsp;<em>Come farsi lasciare in 10 giorni<\/em>&nbsp;con il suo mondo di lustrini e feste private e fatele ricevere una drammatica telefonata in cui la maggiore delle due sorelle le annuncia la scomparsa della secondogenita. In poco tempo la giovane e intraprendente agente di moda, si ritrova mamma di tre bambini di 15, 10 e 5 anni che pian piano prendono a &#8220;picconate&#8221; il suo mondo cos\u00ec trasgressivo e poco &#8220;politically correct&#8221;. Le scelte della neo-mamma saranno pressoch\u00e9 obbligate: una drastica riduzione di lavoro, un trasloco da Manhattan al Queens e l&#8217;allontanamento dall&#8217;icona di &#8220;donna vincente&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"428\" data-attachment-id=\"10121\" data-permalink=\"https:\/\/www.reflections.it\/wordpress\/los-angeles-premiere-of-raising-helen\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?fit=2560%2C1710&amp;ssl=1\" data-orig-size=\"2560,1710\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;Getty Images&quot;,&quot;camera&quot;:&quot;Canon EOS-1D&quot;,&quot;caption&quot;:&quot;HOLLYWOOD - MAY 26:  Actress Kate Hudson signs autographs as she attends the film premiere of the romantic comedy \\&quot;Raising Helen\\&quot; on May 26, 2004 at the El Capitan Theatre, in Hollywood, California. (Photo by Vince Bucci\/Getty Images)&quot;,&quot;created_timestamp&quot;:&quot;1085656140&quot;,&quot;copyright&quot;:&quot;2004 Getty Images&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;Los Angeles Premiere of Raising Helen&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Los Angeles Premiere of Raising Helen\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;HOLLYWOOD &amp;#8211; MAY 26:  Actress Kate Hudson signs autographs as she attends the film premiere of the romantic comedy &amp;#8220;Raising Helen&amp;#8221; on May 26, 2004 at the El Capitan Theatre, in Hollywood, California. (Photo by Vince Bucci\/Getty Images)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?fit=640%2C428&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02.jpg?resize=640%2C428&#038;ssl=1\" alt=\"\" class=\"wp-image-10121\" srcset=\"https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=1536%2C1026&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=2048%2C1368&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?resize=480%2C321&amp;ssl=1 480w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.reflections.it\/wordpress\/wp-content\/uploads\/2020\/02\/raisinghelen_02-scaled.jpg?w=1920&amp;ssl=1 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption>Photo by Vince Bucci\/Getty Images<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Non \u00e8 da tutti scrivere una storia che riesca a far ridere e commuovere al contempo e gli sceneggiatori Amiel e Begler qui non ci riescono proprio. Mentre lo sviluppo della trama, che include anche una prevedibilissima storia d&#8217;amore tra la protagonista e John Corbett (<em>Il mio grosso grasso matrimonio greco<\/em>), compie delle svolte narrative che il pubblico si aspetta sin dopo i primi quindici minuti, il finale \u00e8 ancora pi\u00f9 scontato. La strada che porta verso l&#8217;ovviet\u00e0 \u00e8 un&#8217;inutile, compiacente e pretenziosa sequenza di scene superflue e fastidiose che, avendo a disposizione la funzione &#8220;avanti veloce&#8221; del nostro telecomando, avremmo volentieri saltato. A strappare qualche risata alla platea sono le continue incursioni della pittoresca vicina di casa di Helen (Sakina Jaffrey), e le performance dei tre bambini, interpretati da Hayden Panettiere (<em>Racing Stripe<\/em>s, <em>Heroes<\/em>), Spencer Breslin (<em>Il gatto e il cappello matto<\/em>) e la sorellina Abigail gi\u00e0 vista in\u00a0<em>Signs<\/em> di Shyamalan. Perdibile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">di Alessio Sperati<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non si comprende quale scelta sia stata pi\u00f9 azzardata nel realizzare questo film, se quella di dare in<\/p>\n","protected":false},"author":1,"featured_media":10122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-10123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-recensioni-novita-approfondimenti"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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